Відео

I'm new to composing what DAW is this? This is how I learned to play the piano.

Obi esta escondido de la fuerza. Despues de lo q ocurrio en el episodio 3 está roto. El tema empieza funebre/pesado con el tema de ‘la fuerza’ pero no llega completarlo, porque Obi no llega a desarrollar. El ostinato solemne evoca a los dos donde el estuvo: duel of fates y el duelo con anakin del ep. 3. Luego se vuelve más brillante porque obi despierta en la serie con mas determinacion. La melodia tambien varia del tema de luke y leia, ya que obi les protege. Es una joya escondida. La armonia moderna de williams me recuerda mas a su etapa en las secuelas. Es una serie de transicion para obi, asi que entiendo que el objetivo de williams es aclarar y determinar un solo tema, no hacer ningun desarrrollo. Minimalismo emocional? Gran video gracias! ❤

W🔥O🔥W🔥

They both offer so much flexibility I'm never quite sure what the point of these comparisons is. Right off the bat I can hear CS is more defined in the strings, but it's also eq'd differently, and puts more emphasis on the Violas. All of this is within the users control, i.e they can probably be made to sound a lot more similar than they do out of the box, in general tone/mixing. The more important things to listen for (and some things that you can't necessarily listen for) are things like legato, vibrato/control over vibrato, number of round robins, the range of the instruments, number of/relevance of articulations, dynamic range and number of layers in crossfades, and control over attack/release. All of the these things are arguably more important than tone when crafting a mockup or producing music in general, and all of them can severely limit how capable a library is far more than tonality and mixing. So while it's cool to hear the out of box sound, it really doesn't indicate much about how "good" these libraries are, and you shouldn't base purchasing decisions on this alone. Download demos/🏴‍☠ to get hands on with these, learn how to mix for yourself to get the sound you want out of any library. When you're just starting out it can be very easy to spend a lot of money for something that sounded good in one composer's hands, and have no idea how to get there, while also running into a brick wall with how limited in features/customization some libraries can be. I think the subscription/demo model is going to have to become a lot more widespread/robust in the near future. Many companies are starting to wake up to the fact that most people don't have hundreds of $$$ to drop on products that may not do what they want. Companies with subscriptions and robust demoing are going to win the war and garner the highest number of paying customers.

This is amazing! Can you tell me what breath controller you're using?

How could you not mention Close Encounters?

excelent ¡¡

Thanks for a job well done! The BBS certainly sounds a lot better, more powerful! The music is beautiful!!!

thanks for this video 😊

This video is EXCELLENT and what a beautiful piece showcasing the techniques in the video at the end. Wow! Mattia I’ve learned more from your channel than from any other, and I’ve been to a LOT of them. Your 100 Orchestrating Techniques Every Composer Should Know changed everything for me. Thank You!!!

Nice

Wow

I love his score in the patriot. Unlike any of his other work i've heard

This is my biggest problem making music, I take so freaking long.. I think my problem is that I don't know very much about music theory, I make music by ear really

Brilliant, just what l was looking for.

I think one of the most crucial aspects of a good build-up is the orchestration it's based on. If it doesn't deliver any harmonic tension to begin with, just adding dynamics is probably not going to cut it: garbage in garbage out basically.

Can you just write out all the libraries?

This is fantastic. Thank you.

Imo CSS by far

Beautiful!!

It took me ages to figure this out, and I always have to remind myself. But the rule for most instruments is: READ LOWER, WRITE HIGHER. Simple. IF you're looking at a transposed score in the key of C, the trumpet will be written in D. READ THE TRUMPET NOTES IN THE KEY OF C (LOWER). If you're writing a trumpet part for a piece in C, write the trumpet part in D. WRITE THE TRUMPET PART IN THE KEY OF D (WRITE HIGHER).

That was a LOVELY arrangement! Beautifully done; thank you for sharing and discussing it with us. :)

Great Tips Mattia, thank you, the arrangement was great, loved it

These transcriptions you do are so good and helpful. It would be cool if you put the chord name up on screen as you play them.

27:50 CLEAR rite of spring inspo i love it

I checked a lot of music channels on UA-cam but this one I find a real treasure

Excellent video, thank you

Could you tell me what the name of that book is?

what CPU are you running ? Threadripper? jeeze. this is overkill lololol i hope you using divisimate. i'd get so lost doing this track by track in a massive template like this

I really like the brass in the Gettysburg theme too. both are very nice

WItches of Eastwick is a brilliant score

I remember how my theory professor lost it when I asked, "So, if I use scale-appropriate tones for the melody in relation to the harmony, then I'm on the right track?" He was furious! In retrospect, he had a point-I was quite a handful. But still, employing "modern counterpoint" can indeed result in superb music...

… My thoughts exactly 🎉

Unglaublich, was heute alles möglich ist.

buy yourself a nice chair, why wouldn't you

Try this: use only Spot 1 and Spot 2. Rotate Spot 1's panorama to the right and Spot 2's panorama to the left. Now you have fantastic stereo sound.